It is many years since we first came upon Garrick Palmer's engravings.
On my travels one day as a young publisher, I chanced upon an
exhibition of his work in a Hampshire bookshop. Here was an artist
with, by coincidence, the same surname as Samuel Palmer whose
paintings and etchings were, at that time, already deeply important
to me. Although Garrick's work was different in so many ways from
that of his namesake, I found it had a very similar effect on
me for he also endowed his landscapes with rich layers of story
and hinted-at spiritual meaning. I came under their spell. While
we were working on The Ballad of Reading Gaol we agreed to present a number of these engravings alongside a
sequence of poems chosen by Eric Williams. The engravings, which
were cut from the wood over three decades, display the originality
of a powerful and visionary artist.
Handset Poliphilus and Blado type. Printed on Zerkall mould-made
cream and white paper on a FAG Control 900 press.
14 wood engravings printed from the wood.
Boards covered in paste coloured Simili Japon paper printed with
an additional wood engraving on the upper cover with sepia coloured
titling above and below. Sepia spine titling. Slipcase covered
in turquoise cloth with title printed on inset panel.