Taliesin 1

Taliesin and the Mockers

A poem by
Vernon Watkins

and an afterword by
Gwen Watkins

images by
Glenys Cour

328 x 350 mm.

56pp.

The Main Edition is limited to 225 copies, numbered and signed by Gwen Watkins and Glenys Cour.

ISBN: 0 907664 67 9
£175

Of the Special Edition there are 26 copies
lettered A to Z.

ISBN: 0 907664 709

£395

In his commendation, written to be printed in this book, Rowan Williams, Archbishop of Canterbury, says that the intensely disciplined beauty of Vernon Watkins poetry is one of the still largely undiscovered treasures of twentieth century British literature. For Katherine Raine, Watkins was a singer born. He saw how light is woven out of the darkness, life out of death, to perfect a whole greater than either.
This beautiful poem (redolent of the Genesis creation story) has long been a favourite of the artist Glenys Cour who, with her sculptor husband, Ronald, was part of the famous group in Swansea that included Vernon Watkins and his close friend Dylan Thomas. Her richly powerful collage images help to make a journey through this large format book an extraordinary experience. She is, still today, a near neighbour in Swansea of Gwen Watkins who has given so much kind encouragement to the project and, in the Afterword, has written compellingly about her husband's life and work.

Special Edition
The book itself is housed in a drop back box with an image on the front. Within the book, on every image-page, the artist has made additions by hand in gold which, as admirers of her paintings will know, is one of her trademarks along with the colour ultramarine, which also plays a key role in this production.

The text paper is Fabriano Tiziano and the type used is Omega. The collage images were printed by way of blocks made at The Old Stile Press.
The case-binding is by The Fine Bindery and involves imagery by the artist printed at The Old Stile Press.



		Taliesin and the Mockers
A poem by Vernon Watkins and an afterword by Gwen Watkins images by Glenys Cour 328 x 350 mm. 56pp. The Main Edition is limited to 225 copies, numbered and signed by Gwen Watkins and Glenys Cour. ISBN: 0 907664 67 9 £175 Of the Special Edition there are 26 copies lettered A to Z. ISBN: 0 907664 709 £395	In his commendation, written to be printed in this book, Rowan Williams, Archbishop of Canterbury, says that the intensely disciplined beauty of Vernon Watkins poetry is one of the still largely undiscovered treasures of twentieth century British literature. For Katherine Raine, Watkins was a singer born. He saw how light is woven out of the darkness, life out of death, to perfect a whole greater than either. This beautiful poem (redolent of the Genesis creation story) has long been a favourite of the artist Glenys Cour who, with her sculptor husband, Ronald, was part of the famous group in Swansea that included Vernon Watkins and his close friend Dylan Thomas. Her richly powerful collage images help to make a journey through this large format book an extraordinary experience. She is, still today, a near neighbour in Swansea of Gwen Watkins who has given so much kind encouragement to the project and, in the Afterword, has written compellingly about her husband's life and work. Special Edition The book itself is housed in a drop back box with an image on the front. Within the book, on every image-page, the artist has made additions by hand in gold which, as admirers of her paintings will know, is one of her trademarks along with the colour ultramarine, which also plays a key role in this production.

	The text paper is Fabriano Tiziano and the type used is Omega. The collage images were printed by way of blocks made at The Old Stile Press. The case-binding is by The Fine Bindery and involves imagery by the artist printed at The Old Stile Press.