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by Richard Barnfield
images by Clive Hicks-Jenkins
with an essay by Dr. Peter Wakelin: The enigmatic shepherd:
the sweet and bitter love of Richard Barnfield (1574-1627)
1998
58pp
340 x225mm (13.3 x 8.8in)
£125
200 copies
signed by the artist & essayist
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When The Affectionate Shepheard was first published, in London in 1594, its author was 20 years
of age and immediately became a celebrity -- although he ceased
to write six years later. In the centuries since, however, both
poem and poet have largely disappeared from sight. Printings have
been few and this one is thought to be the very first to be accompanied
by images. The poem followed the rich tradition of pastoral poetry
and was influenced especially by the second Eclogue of Vergil, taking unrequited love as its theme and, as its subject,
the love of a shepherd, Daphnis, for the young man, Corydon. An
essay, putting the work fascinatingly in its historical and literary
context, has been specially written by Dr. Peter Wakelin for inclusion
in this edition. If the poem is an unusual and worthwhile rediscovery,
so is the printmaking technique employed by Clive Hicks-Jenkins.
Involving glass and a layer of pigment, it is more akin to line
engraving on, say, metal than to any form of drawing. This publication
is also remarkable for being the first of our books to be printed
entirely on paper handmade by Frances McDowall at The Old Stile
Press.
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Bulmer types, computer generated and letterpress printed from
polymer blocks. Printed, on paper handmade by Frances McDowall,
on a FAG Control 900 press.
Illustrations on each page produced from autographic relief images
using a variant form of cliché verre.
Bound in vegetable parchment hand toned by the printer, illustrated
on both covers with outline designs printed in grey, black spine
titling. Special endpapers handmade by Frances McDowall. Folding
slipcase covered in burnt orange cloth, lined with blue Ingres
paper.
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